Strike Witches: weapons of mass distraction

TV series recommendations are dangerous things unless you have a good measure of the person recommending them to you. Since most of my friends’ tastes lean towards the awesome or awesomely hilarious (the “so bad it’s good” or Terribad categories, usually) I didn’t know what to think when one of them recommended me Strike Witches. It’s one of those shows whose reputation precedes it, and not in a good way either.

It’s fair to say that I wasn’t sure if this little viewing experiment with the Skirtless Wonders of the 501st would even pay off, so I did the sensible thing and marathoned both seasons in the space of two evenings, accompanied by numerous bottles of real ale. Which turned out to be a wise move, since it’s actually really quite good.

The Summer of the Ubume

My introduction to Natsuhiko Kyogoku was the anime adaptation of his second novel of the Kyogokudou series, Mouryou no Hako. Then there was the sci-fi-themed Loups GarousThe first novel of his Kyogokudou series, The Summer of the Ubume, has in contrast been available in English for some time, but I daresay it’s slipped under most people’s radar…which is a bit of a shame. It’s perhaps understandable though since it’s a bit of an acquired taste: it gives an experience akin to a Mamoru Oshii story, building an intellectual ‘wall’ around itself, for want of a better term, that it expects the reader to climb over. The effort is worth your while but I can understand why some people wouldn’t bother.

There are a couple of segments in particular that go off at quite demanding tangents, which is fine for those of us with a passing interest in philosophy, psychology and Japanese folklore, but to most it would come across as self-indulgent on the author’s part (Kyogoku is a youkai enthusiast and boy, does it show up in his writing). Getting through these – and seeing how they are relevant to the story – is the main reservation I’d have in recommending this novel, but overall I loved it.

Relighting the fire with nerd fuel

It’s pretty bleeding obvious that my writing schedule has repeatedly derailed (my music and creative writing projects are at least progressing though). I don’t have one particular reason why it’s happened; everything feels like I’m driving with the handbrake on, and I feel like I have nothing new to say.

The past couple of weeks have changed that though. It would seem that at least part of the problem was that there wasn’t much around that was worth writing about. After months of new DVD releases and simulcasts that didn’t make me want to sit down and pay attention, Spring 2012 has given me that old nudge of “oh yeah…this is why I’m a fan…”

You gave me Page & Plant, I give you Yuki Kajiura

I should have reviewed After Eden by now since I bought the thing on release day but like many things, I never got around to it. Even after watching the live DVD that arrived last week I still don’t have a burning desire to write about it; I don’t think it’s the strongest offering from them so far but there are some great tracks on there so I like it and still recommend it. What was interesting though was the unexpected response I received from my “Kalafina live blu-ray arrived! Awesome night in!” Facebook status update I posted late last week.

Relevant to the interests of sixty-something motorbike-riding UK rock fans, apparently

I’m sure those of you who share my tastes in Japanese music, art, entertainment, culture and whatnot will have your own stories about what families and friends think…a lot of that depends on whether you make a public show of it, but some of us are surrounded by like-minded people while some of us…well, aren’t.

How Mouretsu Pirates could be even more awesome

Firstly: the updates I planned to write aren’t happening for a week or two. Basically, the RPM Challenge happened. I’m spending the entirety of February holed up at home, turning my living room into an impromptu recording studio and with ten songs to write in four weeks my free time has vanished like smoke. So here’s some pirate metal instead.

Katawa Shoujo

I hadn’t followed the development of what’s commonly known as ‘that 4chan eroge about disabled girls’ but since the finished product isn’t really anything like that, maybe I was better off in blissful ignorance after all. The initial reactions at its full release, claiming it was tasteful and respectful towards its subject matter, were what caught my interest; reading the developers’ blog archives, I realised that it evolved independently from the infamous /a/ board and I eventually came to the conclusion that it’s not an eroge about disabled girls either.

It’s no more an eroge than Tsukihime and F/S N are if I’m honest. I would’ve thought the story-to-smut ratio would have to be lower for it to qualify since, like those Type Moon forays into the genre, Katawa Shoujo involves a lot of reading to get to the H-scenes so it’s plot-driven before anything else; outside of fiction written for a young audience, characters end up in bed together every now and then in many romantic drama stories anyway.

On curing a hacked blog

I noticed a recent comment from a visitor that read “You have been hacked with the pharma hack (google “pharma hack”). You can verify this by doing a google search for your domain name.” I thought it was simply a mistake or (ironically!) a spambot, so deleted it without a second thought. Even so, I did as the commenter suggested – out of idle curiosity more than anything – and discovered that s/he was absolutely correct. So, xensen, whoever you are, thanks. ^_^

I don't actually look anything like this

As far as I know this blog’s never been a victim of a hacker before, and since it’s been a bit neglected in recent months I’ve done only the bare minimum in terms of upgrades, maintenance and general housekeeping. Since a lot of anime/J-culture bloggers I’m in contact with run on the wordpress platform, I might as well outline my experiences in case it happens to any of you as well.

Mahoromatic, a series I hate to love

Way back when, I watched the first season of Mahoromatic because I’m a Gainax completist and later made a mental note to pick up the second season when time and finances allowed. Even then, Something More Beautiful sat on my backlog shelf for months. The fact that I have an entire DVD shelf dedicated to my backlog might explain why that happened, but Mahoromatic‘s second half wasn’t something I was in a hurry for in the first place.

I found myself compelled to see it through to the notorious end, but I can think of so many reasons why I perhaps shouldn’t have bothered. My lasting impression is that it really wasn’t bad; ignoring the waste of time that is the Summer Special (a course of action I thoroughly recommend, by the way) it still had its fair share of problems.

Fate/Zero? I’ll drink to that

After my review of Fate/Zero‘s opening episodes over at UK-A I was a bit shocked at how opinion on Google+ was so critical of the storytelling approach, to the point where I felt I was in the minority who didn’t mind it. I know it doesn’t appeal to everyone: squinting at reams of subtitled dialogue in an infodump opener and wading through thick waves of exposition from that point on isn’t everyone’s grail of mead, but still.

It’s just that this is closer to how I’d imagine a Nasu adaptation to be (yes, I know Urobuchi did the legwork) so quite frankly the idiosyncracies go with the territory. Introducing a cast of this size, especially considering the relationships and connections involved, was never going to be a painless exercise for the viewer, in any case.