Now that the initial controversy has subsided I finally feel able to form and voice an opinion on Aku no Hana. The art style didn’t put me off, surprisingly. I actually had reservations about whether the main characters would be so flawed and twisted that it would be impossible to form any sort of attachment to, or interest in, what happens to them. It is in fact a breath of fresh air due to its unusual approach, and is a textbook example of ‘grimly compelling’.
I also started following the graphic novel after learning that it’s currently ongoing, and it’s a fascinating piece of work. Thematically it reminds me a little of, as some other viewers have pointed out, Shunji Iwai’s All About Lily Chou-chou, plus Tetsuya Nakeshima’s Confessions but also a bit of Onani Master Kurosawa I think (only without the fapping). It’s a top-tier piece of suspenseful psychological character study that plunges a literary probe into the deepest recesses of its protagonists’ minds, and for this reason alone I’d recommend it.
I realised I never said anything on here about Kalafina’s 2011 LP After Eden, despite going into the official shop in Shibuya and picking up a copy on release day. It’s a really nice record with some standout tracks, but looking back it sounds like it was trying too hard. It came out only a year after their previous full-length effort, so with that in mind I suspect that they were over-reaching themselves a bit and were suffering from the notorious ‘third album syndrome’.
