Haruhi Suzumiya light novel #1: where Kyon fears to tread

haruhi-light-novel-1-coverThere’s still a lot to be said for the good old-fashioned medium of words stamped onto slices of dead trees. I honestly believe certain stories work better in one medium than another; Haruhi Suzumiya is I think a case in point. The TV show’s shuffled broadcast order never significantly improved the experience because I’ve yet to hear a convincing explanation for it. The translation of the light novel on the other hand seems to keep an ordered chronology as nature, and Nagaru Tanigawa, intended and is more satisfying for that.

The prose reads smoothly and I’m pretty impressed with the presentation too (my only regret is not getting the hardback version. I’m anal about such things). What makes an even bigger difference than its adherence to the timeline, or the fact that it retains Noizi Ito’s original illustrations, is the first-person narrative approach that the novel takes. Unlike the TV broadcast order, which came across as little more than a cool gimmick, this detail makes the world of difference.

Blog housekeeping, Autumn 2009 edition

I installed a new theme a while back in an effort to move away from the initial one which was nice and minimalist but full of retina-scorching whitespace. For some reason it didn’t turn out nearly as well as I’d hoped so I’ve made a step backwards a bit and tweaked the layout to display the post text in off-white and lighten the blue in the sidebar. Other little details, such as the Georgia font for the headings and a centrally aligned main menu bar were lifted from the initial Yuki theme (which I was quite fond of, for all the whitespace), while the box-style post dates come from my old blog.

megurine-luka-guitar-solo

I took a leaf out of Epic Win‘s book and moved the blogroll to its own separate page, to tidy up the sidebar if nothing else. I want to add subcategories to my links to make use of the extra space and organise them a bit better as well – it’s all in aid of looking classier and more readable (unless you read these posts solely on a feedreader, in which case my efforts will be lost on you). There are still the usual niggling details to iron out but as far as I can tell this theme looks the same in Firefox and IE, which is as much as I could hope for really. Not bad for something I threw together in the space of an evening.

Paprika by Yasutaka Tsutsui

paprika-novel-coverSatoshi Kon’s animated adaptation of Tsutsui’s novel Paprika shouldn’t need much of an introduction; at least I hope not since I can’t give an objective view on the film given the immense amount of respect I have for Kon as a director. I’m glad I found out about the English translation of the novel though, not least because Tsutsui is apparently one of Japan’s most well-known science fiction authors; he has a reputation for being notoriously outspoken and prolific, and even wrote the original Girl Who Leapt Through Time. I like him already.

Before launching into the post proper I must admit I found the film more enjoyable than the novel, even putting my love of Kon’s style into account. A story that melds dreams and reality works better for me on screen and I found Kon’s take on the plot (as condensed as it was) to be a bit more cohesive. It captured the spectacle of dreams more effectively, and the mystery of the antagonist(s) was held out longer. That said, Tsutsui’s version is still worth a read whether you’ve seen the film or not.

Sputnik Sweetheart, Senjougahara fascination and fanboying

I love Bakemonogatari. From the Heavy Crab, through the clever twist to the Lost Snail, the truth behind the Monkey’s Paw and the tension of the Snake Constrictor, it’s a visual treat and provides a metric fucktonne of characterisation and cinematography that I could wax lyrical on for ages. Except I won’t. First, it’s spoilerific. Second, I think I need an entire post just to explain why I find Hitagi Senjougahara to be awesome before even outlining what makes everything else about these episodes so great.

hitagi-loves-you
I would hardly dare to argue

Granted, she doesn’t appear much in the middle portion of the series, but trying to make sense of the Senjougahara Fascination phenomenon became a bit more important when I found myself a part of it. What the hell is this? Am I developing a 2D complex? Well, yes. And no. Idle thoughts coming up.

On reflection, FLCL still rules (part #2)

In my first post on FLCL I stuck to a general impression-style approach because, quite honestly, there’s too much to say about it in one go. Given the fact that it’s easy for the colourful and frenetic nature of the series to obscure the really clever things it does, I felt the need to concentrate on the characterisation. So here it is: the second half of my assessment of why FLCL is pure win, even now.

naota-and-canti

In most cases the point that stories are always about the characters is fundamental and obvious: remove that and all you’re left with is a cool-looking music video or experiment in artistic techniques at best, and a meaningless mess at worst. There’s more to FLCL than just the superficial coolness so the usual rules apply: when the after-effects of the explosions and WTF moments subside this series stays with you. Important things happen to those involved and, are meaningful because you care about what happens. The crazy stuff really just serves to emphasise why certain things are significant, albeit conveying the said significance of the feelings and events in an innovative and memorable way.

Hataraki Man: slice of the work-life balance

A while ago I asked my readers for some recommendations and you wonderful people obliged. One of the titles that cropped up more than once was Hataraki Man and since it had been on my to-watch list since forever I tracked down the full series. And marathoned it. Cheers folks.

hataraki-man-exhaustion

I can see why it’s one of those sleeper hits because of its realistic setting, live-action feel and they way it appeals to the josei or seinen demographics, without limiting itself to either piegeonhole. As I said in my previous post a healthy slab of realism is a good thing, and Noitamin A has a history of being a good place to find it. This title also goes even further than the pleasant surprises of Clannad ~after story~ and Solanin in breaking through the glass ceiling of portraying life after high school. Win.

Tokyo Magnitude 8.0 and Murakami’s after the quake

I was intrigued by Tokyo Magnitude 8.0 because of the Noitamin A timeslot (which has so far also yielded Higashi no Eden, Hataraki Man and Moyashimon) but also because of the promise to portray the events of an earthquake in as realistic a manner as possible. I’m guessing that animation, rather than live-ation, was the most efficient medium to go about this project for budgetry constraints; in terms of character designs and fluidity of animation I wouldn’t say it goes out of its way to dazzle the viewer though. It’s in Bones’ typical MO however: not necessarily groundbreaking but reassuringly solid and consistent.

tokyo-magnitude-8-in-the-open

The visuals do at least show how the events would look without overdramatising things, which is a particular benefit for those of us who have never actually witnessed a major earthquake for ourselves. I have to say there are some nailbiting moments here, mainly because the order of the day is preventing the drama being at the expense of being true-to-life. In the posts I’ve read so far it’s surprising how so many bloggers have found more to say on the drama side of things rather than the documentary aspect…and I can see why.