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Monthly Archives: March 2010
On wartime anime and re-watchability
Being the dutiful fan I am I prefer retail copies of DVDs over downloading as long as they’re available in English but when I’m paying for something I want to be confident it’ll be worthwhile. Keeping the receipt is the easy answer but when shelf space and money are at a premium I want series and movies to be ‘rewatchable’. I’m kinda elaborating on this comment, at any rate.
I can watch some stuff, such as The Place Promised…, Laputa and Paprika over and over; I’ve watched others once but they’ve sat gathering dust ever since. There are one or two purchases that I actually regretted, despite the titles themselves being very good. Actually, they were…too good for their own good.
Categories: On screen
Tags: Anime, editorial, nasuverse, realistic fiction, Studio Ghibli, war drama
9 Comments
Mono live in Leeds, 18th March 2010
I often say that I have trouble putting thoughts about certain things into words. It’s difficult enough when discussing TV shows and movies but music? Ehh~. I’ve gone on about how Mono convey thoughts and feelings without even using lyrics but their live shows are some of those you-have-to-be-there moments. In case I’m tl;dr here then, take my word for it and grab a ticket if they’re touring near you. And take earplugs. It gets loud.
The Brudenell Social Club in Leeds is a great small venue (around 300 capacity, give or take) so while the sound isn’t of stadium quality it’s cosy enough and gives a sense of close-ness, for want of a better word, that’s more intimate to me than those larger venues. In this case the support act were a local band called Glissando and the headliners worked to a set comprised of highlights from their latest album and some old favourites.
A feelgood hit for the summer
The Girl Who Leapt Through Time came pretty much out of nowhere. I had no idea who Mamoru Hosoda was and I’m unfamiliar with Yasutaka Tsutsui’s ‘Timeleap’ franchise so didn’t know what to expect from it at all. It’s not a luxury that Summer Wars enjoys though because the fans, me included, were impressed with this newbie director and were expecting more wonderful things from him and his team. Summer Wars is indeed a wonderful thing: not as personal or introspective as its predecessor but makes up for this on the fun factor and sheer spectacle.
I can’t bring myself to say it’s ‘better’ or ‘worse’ than Tokikake because they’re quite different in themes and storytelling approach so I probably shouldn’t place much value on direct comparisons. And yeah, this is The Post I promised I’d write (thanks in no small part to the excellent pieces from Gaguri, Chaostangent and Ghostlightning); now the high-def version is online I hope there are finally enough people to share my thoughts with.
How Shinkai reminded me that the earth is not a cold dead place
A few days off work have eased a bit of the writer’s block but I must admit that my K-On! post stubbornly refuses to leave Draft Rewrite Hell. Anyway. A little late given that Global Shinkai Day was last weekend, I feel the need to hammer out more strings of words to mark the event. It’s pretty neat to have a special time set aside to raise awareness for a filmmaker…we should have a Global Kon or Oshii day sometime in the year too.
Given the context, “What she said.”
I’ve rewatched the various bits of the Shinkai back catalogue but it was nice to have an excuse to marathon them all in one go (She and Her Cat, Voices of a Distant Star, Place Promised in our Early Days, 5cm Per Second and Neko no Shuukai, in that order). This time the anchor point for my scattered thoughts was a truly stellar AMV (link after the jump).
Chain Mail: Addicted To You
The idea of taking on an online persona to escape the pressures of Real Life is hardly a new one. I found the effects of teen angst in the Internet Age in All About Lily Chou-Chou to be both effective and deeply moving, despite cultural barriers between me and foreigners a decade younger than I am. Taking this angle and running with it, Hiroshi Ishizaki’s light novel Chain Mail examines how the isolation and pressure of adolescence draws four total strangers together with fascinating results.
If you’re reading this blog at all you ought to be able to understand where Chain Mail is coming from with this. After finding it tucked away virtually unseen in the manga section of my local Waterstone’s and buying on impulse, I suspect the only people I know who’d appreciate its innovative ‘multiple viewpoint’ storytelling as I did are those I converse with online. The ‘net and the artificial realities it provides attract us all for very personal reasons but the overall promises of diversion and communication are the same.