Onani Master Kurosawa: Redemption is in your own hands

A long time ago I saw a single-page scan of what looked like a one-off doujin Death Note parody where a kid made it his mission to masturbate daily in a girls’ toilet at school. His triumphant “Just as planned!” was amusing enough but I assumed it was a throwaway piece of toilet humour so after forgetting what blog I saw the pic on I thought nothing more of it. That was until the community word-of-mouth thing featuring Ghostlightning, David and Samshiel among others jogged my memory. The doujin in question was Onani Master Kurosawa and it proved to be more than just dirty jokes and a parody or two. A hell of a lot more.

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Click for the full size version

Make no mistake: this is a story with strong language and shows events and behaviour that are liable to offend some. It has some wonderful bits of humour though, including neat jabs at not only Death Note but Haruhi Suzumiya and Code Geass, but what makes this something I’d recommend so strongly is the fact that the superficial lulz accompany something more memorable and moving. If you excuse the pun, I never saw it coming.

Ryu Murakami: In the Miso Soup

in-the-miso-soup-coverAs far as fans of sharp, contemporary Japanese psychological thrillers are concerned, Ryu Murakami is often the first names that spring to mind. Quite rightly too considering he wrote the original novel of Audition and has several of his other works published in English in recent years: I have to say I really enjoyed Audition and can easily see how it was made into such a popular film (which, to my shame I STILL haven’t seen). In the Miso Soup is in some ways pretty similar but interesting in aspects I never expected; I don’t see it as such a good contender for on-screen adaptation though.

The story follows Kenji, a young freelance Tokyo tour guide who takes an American businessman called Frank around town on a ‘sex tour’ of the city’s nightlife during the lead-up to New Year’s Eve. There are one or two things that seem amiss with Kenji’s new customer from the start but Kenji rejects the alternative of a quiet time with his girlfriend in favour of some much-needed work. He soon begins to regret his decision to accept this lucrative offer when a darker and more dangerous side to Frank begins to emerge.

Hitomi Kanehara’s Autofiction

autofiction-cover[Moved from my soon-to-be defunct side-blog because 1. I still haven't had time to write anything new and 2. it's more Relevant To Your Interests on this one.]

Hitomi Kanehara is an interesting lady. As I always do when reviewing an author for the first time I make a point of reading the biography blurb at the beginning of the book to get a feel for his or her background; Kanehara’s is, to put it mildly, unconventional. Her status as a professional writer, although it was aided by the endorsement of well-known author Ryu Murakami whose edgy and controversial works bear quite a similarity, is still surprising given her early life and education. Considering how Autofiction is focused on a twenty-something female writer who also had a turbulent adolescence you can’t help but wonder where the inspiration for this striking novel came from.

This possiblility that the book’s title should be taken literally is dangled in front of the reader’s nose from the outset but whether it’s a clever bluff on Kanehara’s part is something I wouldn’t hazard a guess on. Anyhow, the character of Rin and the events of her life are a fascinating if somewhat unsettling read: the first few pages pick her story up soon after her wedding, then successive chapters take up the narrative at points earlier on in her life. Telling stories in reverse is nothing new of course (taken to extremes in the likes of Memento) but in this case the approach serves to dig into the troubled psyche of the protagonist, peeling away layer after layer of insecurity and paranoia as it goes.

Death Note: Another Note

No sooner had the dust seem to have settled from the hype surrounding the Death Note franchise Viz published an English translation of the spin-off prequel novel, Another Note: The Los Angeles BB Murder Cases. Sifting through the rants and raves surrounding the original story I still look upon it fondly as a series that had an air of suspense, excellent artwork and a premise that posed a number of interesting moral questions. Its quality was diluted later on when the writers were forced to stretch the narrative past the L arc and introduce two new (inferior) antagonists to pit against the story’s anti-hero but otherwise it was a series that was both exciting and intelligent.

My only other beef with the series was the way in which it featured one of the most under-used Awesome Supporting Characters of recent times, in the form of Naomi Misora. Another Note remedies this (IMO) glaring oversight by dedicating an entire storyline to an earlier pre-Kira investigation in which Misora, still working for the FBI in LA, is called upon by the infamous freelance detective L in solving a bizarre series of murders. Basically we don’t see any of Light’s deranged JUST AS PLANNED megalomania: just Misora teaming up with L and hunting down a crazed killer who dispatches of his victims in increasingly gruesome and deranged ways.

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Audition (Ryu Murakami)

audition-novel-coverHere’s something that confused me at first: there are not one but two acclaimed writers by the name of Murakami. Haruki Murakami (my hero) is well-known for a quirky, contemplation-filled writing style and a quietly introspective look on contemporary Japanese society; Ryu Murakami also takes an interesting and occasionally controversial approach to social commentary and has quite a following among fans of modern fiction too. The similarities end there though: Haruki’s prose dabbles in metaphysics and a dreamlike, melancholic vibe (reminiscent of the philosophy that’s the namesake of this very blog) but Ryu’s work is darker and edgier.

Takashi Miike’s feature film adaptation of Audition acquired a cult following, which to my shame still sits on my ‘to watch’ list. On the flipside, reading the original novel first sits well with my personal preference for experiencing the original before any adaption, so I now feel even more eager to see Miike’s take on the story. RM’s novel is the tale of Aoyama, a man who has lived several years as a single parent following the death of his wife Ryoko. His son Shige suggests he should remarry so with the help of his friend Yoshikawa he looks for a suitable candidate under the pretext of a bogus film audition; a ruse that introduces him to the enigmatic Asami Yamazaki.

Junji Ito’s Uzumaki: a spiral into horror

Uzumaki cover atworkI must admit that I’m not a huge fan of horror stories; they’re often derivative and/or dumb teen-orientated efforts so it takes a real classic of the genre to get my attention. I much prefer something more psychological than supernatural anyway because the nature of what’s frightening is more convincing – generally speaking the closer it is to reality, the scarier I find it to be. I’ve covered this before but my stance is pretty much the same now.

Junji Ito’s graphic novels really fall into the former category: that of horror that goes for the gut rather than the brain. His two-parter Gyo was a freaky, sickening exercise in graphic shocks that were inventive, disgusting and quite a fun read. In terms of sophistication though, it didn’t score as highly: the concept was original, bizarre but not something to be taken altogether seriously (“Fish with legs! Fish with legs! Fish with leeegs!”). His slightly longer effort Uzamaki is a more clever and ultimately more satisfying affair that is more effective in scaring the living crap out of the reader.