I’m late to the You Can (not) Advance party and spotted familiar faces, but…

Considering the challenges in the ‘feature-length retelling of the TV show’ concept, I sometimes wonder why the studios bother. They need a keen eye for what to retain and what to leave out in order to condense the storyline effectively, it has to entertain the viewers on its own merits so we can momentarily forget the old version but at the same time it has to remain true to what made the original good enough to be worth retelling.

RahXephon for example suffered greatly from the condensed plotline issue and Eureka Seven lost a lot of the spirit of the TV show, so both were disappointing to me. The Evangelion rebuild in particular is an undertaking I personally wouldn’t enjoy being responsible for since it’ll piss off a significant proportion of the fanbase regardless of what the production team do. Over the past decade and a half it’s bred so many conflicting opinions that whatever approach is taken, it’ll hit somebody’s sore spot square-on.

Categories: On screen | Tags: , , , , , | 4 Comments

It really can be a wonderful world

“By changing your viewpoint just a bit, you can see familiar things in a whole new light. It happens a lot. And really works.”


I’ve no idea what’s up with the current fad for live-action adaptations of anime and manga these days, although I’m pretty excited about the feature-length effort of Solanin. The thing is, it’s so easy for me to imagine how well Inio Asano’s graphic novels can make the jump from paper to big screen since he has such a keen eye for scene composition and, to coin a hackneyed phrase, a finger on the pulse on what makes ordinary ‘real life’ people tick. He captures snapshots of everyday life events with the flair of a skilled photographer; What a Wonderful World! pre-dates it by several years but the intentions, and end results, are similar.

Categories: On paper | Tags: , , | 8 Comments

Cossette revisited: Shinbo, Nasu and the Kajiura connection

Looks like I made it to the second round of the tourney thing, but I’m sadly short on topics for writing thanks to the fact that my laptop is the only working PC I have right now. It’s able to cope with DVD playback though so I can at least rewatch old favourites; I’ve had Le Portrait de Petite Cossette for instance on my shelf for a while but only came back to it last week…and I’m glad I did.

The first time I watched this I felt a bit overwhelmed by the visuals so didn’t really grasp what it was trying to say. I guess it was slightly wasted on me at the time but watching the three episodes again, across as many days, worked better for me so now I really feel I appreciate it more than I did then.

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Several girls galore (the alluring aroma of Perfume)

The PC’s on the blink again. It’ll be over a week before I can put right whatever’s wrong so in the meantime I’m working on the backup machine, my trusty four-year-old low-spec laptop. So here I am, running in the Aniblog Tourney with little to write about because I can’t watch much; I feel like I have an important call to make when my mobile phone’s in the pocket of My Other Jacket.

So I thought I might as well write about Perfume. Music dominates a lot of my spare time: I immerse myself in as much as possible, ignoring the usual boundaries of time, trends and genre in favour of my own so sometimes my tastes are a bit unpredictable. My fascination with Perfume is a guilty-pleasure kind of thing, but not completely so.

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So, I’m in this aniblog tourney thing…

I got an e-mail asking if it was okay to include my blog in the running order so after being reassured that I didn’t have to make any special effort I happily agreed. Whatever the point to it is, I’ve made some cool additions to my feedreader thanks to the blogs being featured on that site; win or lose, I guess it’s good harmless fun and shines a spotlight on the contenders. There isn’t much recent material for the online electorate to go on here I know, since I’ve been preoccupied with other things lately…


Uh, this. As in, trying to sort out my ongoing soundcard issues by buying a twin-channel preamp mixer and new headphones. About time too I might add

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A feelgood after-life and meaningful ecchi in My Lovely Ghost Kana

Sometimes it’s rewarding to take a complete stab in the dark and pick up something different from what you normally read. I’m unfamiliar with Yutaka Tanaka for instance, which isn’t surprising since his CV largely consists of ero stuff and a few bit parts in animation on the side. I had second thoughts about reading and blogging about My Lovely Ghost Kana since it is, in parts at least, an ero title.


The legal alcohol drinking age in Japan is 20, so yeah. No thought-crimes committed on my part

There is indeed a lot of sauce in this, to the point at which the opening chapters give a false impression of where the story eventually chooses to go. The infamous ‘deceptive-ness of the first impression’ isn’t on the scale of Onani Master Kurosawa, but the effect it had on me was similar. It even manages to go some way towards justifying the sexual content, which is an achievement in itself; the clincher is that it pays attention to the characterisation and even makes a worthwhile attempt at a storyline. Yeah, I was pleasantly surprised.

Categories: On paper | Tags: , | 4 Comments

On Narcissu, on reflection

I don’t know if my readers take this for granted but I don’t set out to write *reviews*; not the objective, completely logical or helpful variety, anyway. I’m doing this article for instance purely on my feelings concerning the visual novel Narcissu that are very subjective and not necessarily helpful at all. Fundamentally your appreciation of it hinges on whether it moves you; it moved me a lot so I got the inevitable compulsion to write about it.

This won’t be the best Narcissu article around so I do at least apologise for that. Its subject matter, approach and underlying messages are quite unusual so I suspect a definitive judgement on my part wouldn’t be particularly valuable anyway. So, yeah…bear that in mind when I recommend it (it’s free and completely legal to download, after all) and you later read it for yourself and think, “hey, I thought you said it was good…” Needless to say there are spoilers after the jump.

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Arakawa Under The Bridge is my kind of weird

I’m not an Akiyuki Shinbo completist as I am with some other directors. As dazzled as I was by Petite Cossette and Bakemonogatari I was never tempted to watch Maria+Holic or Dance in the Vampire Bund for instance but his signature style has led me to respect him enormously. Following the two seasons of ef, in which his influence crept in quite noticeably, I realised how those wonderful ‘Shinbo-isms’ are as immediately recognisable as the trademark quirks of Hideaki Anno.

Arakawa Under The Bridge is very much in Shinbo’s comfort zone: it reminds me a lot of Sayonara Zetsubou-sensei with its pun-riddled wordplay, sketch-based storyline, zany characters and of course that artistic obsession with colours, composition and geometry. The source material of the two shows doesn’t share the same writer so I wonder whether the production team are being selective with the projects they take on. The similarities go even further, and mostly in a good way too.

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Careful with that axe, Yui

As difficult as it is, I have to admit that I’m enjoying K-On. Not because it’s intelligent, thought-provoking, original or a work of art. I’m enjoying it despite it not really being any of these things, mainly because something that’s so intentionally dumb is undemanding and therefore the perfect thing for unwinding with at the end of a long day.

Yes, it’s shallow, commercialised and derivative but truthfully as long as it makes you smile, who the heck cares? I’ve done at least three drafts of this post before wiping the whole lot off the screen and starting over; this is by its very nature a show that’s difficult to write about because there’s not much to it beyond the obvious observation that it’s cute, undemanding fun. That was before my word count began to mushroom…

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Town of Evening Calm, Country of Cherry Blossoms

I’ve been interested in twentieth-century history for as long as I can remember – before my fascination with Japanese popular culture even began I was drawn to the issues surrounding the atomic bombings of 1945. Fumiyo Kouno is one of many writers and artists who have taken on the subject but her approach is one that conveys the human cost of the events in an unusual way. Town of Evening Calm, Country of Cherry Blossoms is a short, surprisingly sweet but nevertheless powerful work.

Her graphic novel is not an historical document. The whimsical slice-of-life angle doesn’t prevent it being meaningful though: fundamentally, history is about people and the relevance today of the events that occured then. This story is therefore very relevant even though the individual stories of this event are fictional; it also manages to convey hard-hitting subject matter with subtlety and restraint.

Categories: On paper | Tags: , , , | 7 Comments