Thoughts on Loups-Garous, second half: the anime

It was a funny coincidence when I spotted the Loups-Garous anime on fansub so soon after I’d bought a copy of the original novel. I was interested to see how the transition would go since the book’s an atmospheric and moody piece; the adaptation of Kyogoku’s Mouryou no Hako went through a couple of episodes where the wheels fell off for a while but it was still really disappointing to see Loups-Garous stumble so badly. I wish the staff who had worked on MnH had been given the chance to work on this one too, because that worked far better on screen than this did.

The novel laid the philosophy on quite thick but fortunately there’s enough going on in there to make for a decent movie from the SF and conspiracy-thriller aspects without exploring anything else too deeply. I actually think the film would’ve been bogged down with Kyogoku’s long-winded intellectual musings but even with a more digestible narrative it still falls flat and, oddly, seems to be aimed at a somewhat different audience from the source material.

Thoughts on Loups-Garous, first half: the novel

Imagine walking up a high, steep hill on a hot summer’s day to reach a bar or restaurant: the journey’s long, dry and arduous but if what’s on the menu is your thing, the hard slog is worth it in the end. Reading Loups-Garous is a lot like that. I’m reluctant to recommend it despite how effective it is in depicting the themes and ideas it addresses, because in all honesty it’s a book that’s easy to admire but perhaps hard to like.

I foolishly chose to read it in a crowded room full of other people talking, which gave me that annoying experience of repeatedly losing your place and reading the same line(s) over and over. The problem with Loups-Garous is that it isn’t very accommodating towards the reader in terms of making its food-for-thought easy to digest so that was probably the worst way for me to approach it.

There’s been a bit of a misunderstanding

I’m momentarily breaking from the usual (sporadic!) routine of blogging about animated supernatural serial killers, robots and weird books to chip in my views on a different sort of media. I’m not sure how many of my readers are fellow UK residents, so bear with me if this unfamiliar to you, or that my intro is a bit long-winded if it isn’t.

One of my favourite TV shows at the moment is a quiz show called Q.I.. A recent episode has apparently sparked a bit of controversy but in case it gets out of hand I want to give my own view on the incident. I encourage others to comment below if you want, whether you’re from the UK or Japanese side. Heck, I’d be overjoyed if Stephen Fry himself had time to read this.

Shiki and the disease that makes monsters of us all

Shiki was hard-going at first what with its slow build-up and all, but it got better towards the end. The new OP and END theme tunes were an improvement on those of the first half and many of the backstories to the characters were satisfactorily filled in. The premise and rural setting are allegedly a homage to Salem’s Lot by Stephen King; I don’t care much for King’s style but I enjoyed this all the same.


I really liked these two in the end

I suspect the novel is even better (aren’t they all?) because the artwork and screenplay were a bit clumsy yet the characters were fascinating and, personal reservations about King-esque horror aside, it’s a good story. These were the series’ saving graces, in addition to a wonderfully fascinating moral ambivalence that just managed to make it memorable.

It’s time we showed REC some love

I think REC must be a forgotten gem because I’ve never read or heard much about it at all. In fact I stumbled on it purely by accident when the premise of “boy meets girl, girl becomes roommate after her house burns down and romantic awkwardness ensues” read exactly like the early strips of my favourite webcomic, Questionable Content. Even so, my hopes still weren’t high because it didn’t sound like anything out of the ordinary.

Satisfied that I’d at least discovered something about the lives of characters who were out of high school I then learned that it was directed by Ryutaro Nakamura, which was another happy coincidence. As a matter of fact the storyline of REC is itself founded on happy coincidences and how things sometimes just…happen. Nakamura’s involvement may also be the crucial factor that tips this from being a likeable yet ordinary story into something a bit more special.

Macross Frontier: The False Songstress

It’s fair to say that the anime industry’s track record for feature film adaptations of TV shows isn’t a good one. For the first Macross Frontier movie I was torn between the idea that another Macross cinematic outing helmed by Kawamori himself could only be a good thing and the opposing notion that similar efforts from other franchises have left me disappointed. This one could well polarise opinion among the Macross fandom but for me at least it’s not the waste of time the nay-sayers claim it to be.

The inescapable factor is the Serial Narrative Compression Effect or, to put it simply, the fact that an episodic TV series has to be squeezed into two hours or less of screen time. Certain details have to to be left on the cutting room floor, others are shuffled around and the thematic emphasis shifts too. Itsuwari no Utahime (a.k.a. The False Songstress) does suffer from these limitations but the streamlined plotline and the production values stemming from the feature film budget are where it really shines.

All You Need Is Kill by Hiroshi Sakurazaka

Science fiction doesn’t have to be big or even outwardly clever to be effective. A lot of what I enjoy involves original or elegantly neat ideas that give the “I never thought of that…” reaction but sometimes a simple concept does the job in its own way, although this simplicity turns out to be deceptive. Even when I gave Hiroshi Sakurazaka’s All You Need Is Kill a modest three out of five stars rating on Goodreads I wasn’t suggesting that it was a mediore effort, nor was I implying that I didn’t enjoy it.

As a matter of fact it’s a fast-paced, immersive and highly readable account of a futuristic battle waged by humanity against an alien invader, and on that alone I recommend it. The nature of the narrative – that of a soldier trapped in a time loop of his last day on the front line, and his attempts to understand and hopefully escape from that situation – makes it a challenge for the writer to keep the repetitive proceedings engaging, but Sakurazaka succeeds admirably. In that sense it feels a lot like some unholy combination of Groundhog Day and Starship Troopers.

Anime at the Leeds International Film Festival 2010

I honestly don’t know what’s come over me in the past few weeks. I haven’t had time or inspiration to post anything (I still upload a pic or short missive on Tumblr fairly regularly…‘regularly’ being a relative term) but what I’m most annoyed at myself for is not having the motivation to reply to comments. Rest assured that I’ve read each and every one of them and I appreciate the fact that at least my readers have the time and effort to write something, even when I haven’t.

Last weekend was a lot of fun though, and kicked me out of my little funk for a while. Ironically I watched more anime during the course of Sunday afternoon that I had during the past month…with the exception of finishing my childhood fave The Mysterious Cities of Gold. LIFF always has a lot of interesting things on offer but the anime line-up this year was impressive: I didn’t get time to see Gintama and One Piece isn’t my thing but I was able to make it to Mardock Scramble: The First Compression, Rebuild of Evangelion 2.0 and Redline.

Yukikaze, Unlimited Blade Works and playing to the strengths of the medium

Maybe I’m stating the glaringly obvious here, but since it wasn’t obvious to me until recently I might as well set out my thoughts on it. I’m not saying that the Unlimited Blade Works is a great movie but it’s worth stopping to think about the broader context or what the movie itself is trying to accomplish. Similarly, there are a few things I could say about the Yukikaze OAV but now I’ve read the original novel I feel a bit different about it. Feelings concerning the motives behind, and effects of, adapting stories from one medium to another mostly.


Click for full size

An extreme example of the importance of context that I stumbled on is William Gibson’s Neuromancer. It’s an enjoyable enough cyberpunk novel but not as enjoyable for me as I expected: I’m finding it tedious in places but when I remind myself that it was written before any of that stuff related to the internet, VR and even the cyberpunk genre itself were commonplace, I admire it more. Not that it makes the book itself more fun, but it makes its limitations at least understandable.

Memory Lane is paved with gold

It’s strange how you remember certain things from a long time ago so clearly. Rewatching my childhood fave The Mysterious Cities of Gold for the first time in nigh-on two decades is proving how accurate my memory was before it was addled with things like schoolwork, girls, beer and all the other crap we’re preoccupied with as we grow up. Even more surprisingly, it’s still entertaining to me now.

I remember watching this for the first time when I was around four or five; the reruns were a few years later, when I was around seven or eight and able to appreciate it more. At that point my family had a single-floor house in Norfolk with a cherry tree in the front garden; rewatching this has dredged up memories of living in that place and sitting in front of the old 4:3 CRT Sony TV set. Good times…and now I can see how good they were.