Darker than Black and the appeal of neo-noir
What with Darker than Black: Ryuusei no Gemini, my rewatch of Kuro no Keiyakusha is a primer of sorts for getting back into the the story so I can hopefully breeze effortlessly(!) through. One of DtB’s defining features was the way it held back on explanations for what appeared to be quite significant plot points to make it occasionally frustrating but undeniably compelling. I must admit that even on the second attempt I still can’t say for sure I understand everything but oddly this doesn’t really bother me as much as I expected.

And yes, Shinjuku really does look as awesome as this IRL…
I don’t feel I have to understand the full background to the characters and their situations to understand them because enough of the important things are already made clear, which I hope was the intention of the writers. As is often the case I instead try to immerse myself in the worldview to let the answers reveal themselves in a passive fashion: something I find particularly easy for a show that takes the approach that this one does.


