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Posts Tagged ‘Mono’

02 Dec 2009

Mono: Gone (a collection of EPs 2000-2007)

Mono-goneIn the space of a year or two I’ve grown to appreciate the sound of instrumentalists Mono, mainly because I’ve been a long-standing fan of experimental guitar-driven soundscapes. My initial reaction to their Gone compilation – the first time I’d listened to them properly – was a fanboyish exclamation of “Holy shit, a J-rock Mogwai!”, although in retrospect I was selling them short. It’s easy to lump bands together when something as obvious as the lack of lyrics is one thing they have in common, after all.

Their latest studio effort at the time of writing, Hymn to the Immortal Wind, is my favourite so far because of its cinematic, orchestral grandeur but Gone is a neat way of experiencing a cross-section of their sound’s evolution since the tracks are set out in chronological order. Over time the arrangements have become more structured and purposeful; tunefulness is a subjective thing but alongside similar bands Mono lean towards the more sentimental as well as being one that uses the power of volume to get the listener’s attention.

27 Mar 2009

Mono: Hymn to the Immortal Wind

hymn-to-the-immortal-wind-coverI know it’s a bit pre-emptive nominating a contender for Album Of 2009 when we’re only three months into the year but in recent days I’ve become so entranced by Mono’s latest effort Hymn to the Immortal Wind I’m pretty confident that we may already have a winner. It’s their fifth studio effort but apart from the EP compilation Gone this is the first time I’ve had chance to properly check them out…and I absolutely love what I’ve found.

The band’s sound is in the vein of Mogwai or God is an Astronaut in that the songs are almost all instrumentals with keyboards and occasional samples woven in between layered guitar lines. Although there are several bands, including the two mentioned above, who fall into the category of atmospheric post-rock or shoegaze this is one of the finest examples I’ve had the pleasure to hear so far: a tender yet emotionally-charged gem of an album that balances experimental guitar noise with staggering orchestral beauty. If it isn’t the best thing we’ll hear in the next twelve months I’ll enjoy being proved wrong.