Katawa Shoujo

I hadn’t followed the development of what’s commonly known as ‘that 4chan eroge about disabled girls’ but since the finished product isn’t really anything like that, maybe I was better off in blissful ignorance after all. The initial reactions at its full release, claiming it was tasteful and respectful towards its subject matter, were what caught my interest; reading the developers’ blog archives, I realised that it evolved independently from the infamous /a/ board and I eventually came to the conclusion that it’s not an eroge about disabled girls either.

It’s no more an eroge than Tsukihime and F/S N are if I’m honest. I would’ve thought the story-to-smut ratio would have to be lower for it to qualify since, like those Type Moon forays into the genre, Katawa Shoujo involves a lot of reading to get to the H-scenes so it’s plot-driven before anything else; outside of fiction written for a young audience, characters end up in bed together every now and then in many romantic drama stories anyway.

It’s time we showed REC some love

I think REC must be a forgotten gem because I’ve never read or heard much about it at all. In fact I stumbled on it purely by accident when the premise of “boy meets girl, girl becomes roommate after her house burns down and romantic awkwardness ensues” read exactly like the early strips of my favourite webcomic, Questionable Content. Even so, my hopes still weren’t high because it didn’t sound like anything out of the ordinary.

Satisfied that I’d at least discovered something about the lives of characters who were out of high school I then learned that it was directed by Ryutaro Nakamura, which was another happy coincidence. As a matter of fact the storyline of REC is itself founded on happy coincidences and how things sometimes just…happen. Nakamura’s involvement may also be the crucial factor that tips this from being a likeable yet ordinary story into something a bit more special.

Remembering Satoshi Kon

I must admit I didn’t hear about Perfect Blue until around 2004, when the only anime I’d watched were Miyazaki’s Laputa, Anno’s Evangelion and Tsurumaki’s FLCL. It was an eye-opening experience to say the least, but that day was a pretty significant turning-point in making me the fan I am today.

I’m sure the obituaries and tributes to Satoshi Kon from his family and friends will be formed as I type and my sincere condolences go out to them. I’m afraid I know nothing about who he was as a man: I sadly never had the opportunity to meet him. His work however is something I’ve become very familiar with over the years, and it’s my love of this that I want to express, as my way of acknowledging what he achieved.

Tokyo Sonata

Tokyo Sonata is a domestic drama from Kiyoshi Kurosawa, a director who has made his name in the horror genre with the likes of Kairo and Bright Future. This film then is a marked departure for him but it is also unlike most titles in Japanese cinema that I’ve seen on international home video release. Its quietly powerful realism and topical themes make it, for me, one of the most important Japanese films of recent years.

If there’s one thing I find fascinating about contemporary Japan it’s the presence of contrasts that are baffling to an outside first-time visitor. This has been heightened in the past decade or two by fundamental changes that are inexorably altering the society’s status quo, so the ramifications for its defining features of harmony, tradition and smooth routine are quite striking.

It really can be a wonderful world

“By changing your viewpoint just a bit, you can see familiar things in a whole new light. It happens a lot. And really works.”


I’ve no idea what’s up with the current fad for live-action adaptations of anime and manga these days, although I’m pretty excited about the feature-length effort of Solanin. The thing is, it’s so easy for me to imagine how well Inio Asano’s graphic novels can make the jump from paper to big screen since he has such a keen eye for scene composition and, to coin a hackneyed phrase, a finger on the pulse on what makes ordinary ‘real life’ people tick. He captures snapshots of everyday life events with the flair of a skilled photographer; What a Wonderful World! pre-dates it by several years but the intentions, and end results, are similar.

On Narcissu, on reflection

I don’t know if my readers take this for granted but I don’t set out to write *reviews*; not the objective, completely logical or helpful variety, anyway. I’m doing this article for instance purely on my feelings concerning the visual novel Narcissu that are very subjective and not necessarily helpful at all. Fundamentally your appreciation of it hinges on whether it moves you; it moved me a lot so I got the inevitable compulsion to write about it.

This won’t be the best Narcissu article around so I do at least apologise for that. Its subject matter, approach and underlying messages are quite unusual so I suspect a definitive judgement on my part wouldn’t be particularly valuable anyway. So, yeah…bear that in mind when I recommend it (it’s free and completely legal to download, after all) and you later read it for yourself and think, “hey, I thought you said it was good…” Needless to say there are spoilers after the jump.

Town of Evening Calm, Country of Cherry Blossoms

I’ve been interested in twentieth-century history for as long as I can remember – before my fascination with Japanese popular culture even began I was drawn to the issues surrounding the atomic bombings of 1945. Fumiyo Kouno is one of many writers and artists who have taken on the subject but her approach is one that conveys the human cost of the events in an unusual way. Town of Evening Calm, Country of Cherry Blossoms is a short, surprisingly sweet but nevertheless powerful work.

Her graphic novel is not an historical document. The whimsical slice-of-life angle doesn’t prevent it being meaningful though: fundamentally, history is about people and the relevance today of the events that occured then. This story is therefore very relevant even though the individual stories of this event are fictional; it also manages to convey hard-hitting subject matter with subtlety and restraint.

On wartime anime and re-watchability

Being the dutiful fan I am I prefer retail copies of DVDs over downloading as long as they’re available in English but when I’m paying for something I want to be confident it’ll be worthwhile. Keeping the receipt is the easy answer but when shelf space and money are at a premium I want series and movies to be ‘rewatchable’. I’m kinda elaborating on this comment, at any rate.

I can watch some stuff, such as The Place Promised…, Laputa and Paprika over and over; I’ve watched others once but they’ve sat gathering dust ever since. There are one or two purchases that I actually regretted, despite the titles themselves being very good. Actually, they were…too good for their own good.

Chain Mail: Addicted To You

The idea of taking on an online persona to escape the pressures of Real Life is hardly a new one. I found the effects of teen angst in the Internet Age in All About Lily Chou-Chou to be both effective and deeply moving, despite cultural barriers between me and foreigners a decade younger than I am. Taking this angle and running with it, Hiroshi Ishizaki’s light novel Chain Mail examines how the isolation and pressure of adolescence draws four total strangers together with fascinating results.

If you’re reading this blog at all you ought to be able to understand where Chain Mail is coming from with this. After finding it tucked away virtually unseen in the manga section of my local Waterstone’s and buying on impulse, I suspect the only people I know who’d appreciate its innovative ‘multiple viewpoint’ storytelling as I did are those I converse with online. The ‘net and the artificial realities it provides attract us all for very personal reasons but the overall promises of diversion and communication are the same.

Hataraki Man: slice of the work-life balance

A while ago I asked my readers for some recommendations and you wonderful people obliged. One of the titles that cropped up more than once was Hataraki Man and since it had been on my to-watch list since forever I tracked down the full series. And marathoned it. Cheers folks.

hataraki-man-exhaustion

I can see why it’s one of those sleeper hits because of its realistic setting, live-action feel and they way it appeals to the josei or seinen demographics, without limiting itself to either piegeonhole. As I said in my previous post a healthy slab of realism is a good thing, and Noitamin A has a history of being a good place to find it. This title also goes even further than the pleasant surprises of Clannad ~after story~ and Solanin in breaking through the glass ceiling of portraying life after high school. Win.